Castle, prickly pear, bath, waltz [videorecording] / Angelo, Compton. [between 1973 and 1991]
Related Entities
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Woman's Building (Los Angeles, Calif.)
http://n2t.net/ark:/99166/w6xb31gg (corporateBody)
In 1973, artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), one of the first independent schools for women artists. The founders established the workshop as a non-profit alternative education center committed to developing art based on women's experiences. The FSW focused not only on the development of art skills, but also on the development of women's experiences and the incorporation of th...
Angelo, Nancy
http://n2t.net/ark:/99166/w6mp63s4 (person)
Nancy Angelo (born October 8, 1953 in Carson City, Nevada, USA) is an organizational psychologist and formerly a performance and video artist who took part in the feminist art movement in Los Angeles. After studying photography in Denmark and attending San Francisco Art Institute, Angelo moved to Los Angeles in 1975 in order to enroll in the Feminist Studio Workshop at the Woman’s Building. Shortly after enrolling in the FSW, Angelo immersed herself in performance art and in 1976 she co-founded...
Compton, Candace
http://n2t.net/ark:/99166/w6j10c7t (person)
Candace Compton Pappas (born 1951) is a painter, sculptor, performer and filmmaker who was active in Los Angeles feminist circles in the 1970s. Compton Pappas’ 1976 film Nun and Deviant, which she made with Nancy Angelo, is considered a canonical work of early feminist video. She also co-founded the Feminist Art Workers in 1976, along with Angelo, Cheri Gaulke, and Laurel Klick. The ground breaking performance Art group emerged from the Women’s Building in Los Angeles, and traveled the country a...
Long Beach museum of art
http://n2t.net/ark:/99166/w62v6njc (corporateBody)
The Long Beach Museum of Art (LBMA) was among the first to focus on video as an artistic medium, spurring similar efforts throughout the United States. Beginning in 1974 the museum began collecting and exhibiting video art, later also actively encouraging the development of video art by co-producing projects and offering editing facilities to artists in its Video Annex. The museum's innovative approaches to the display of video art included several experiments with broadcast and cable television...
